Showing posts with label julianna spallholz. Show all posts
Showing posts with label julianna spallholz. Show all posts

Tuesday, March 4, 2014

Memory Hole


The Lost Transcripts of Stewart L. Rifkin, Entrepeneur by Alan

The first tenet of any good operation of this sort is to make sure that community is everything.

It shall be called “All Books” or “Every Book.” Perhaps it should read as one word: “Everybook” to ensure a kind of psychological coalescence.

The primary measure of veracity is the individual’s relationship to words – how they’re used, at what moments, with whom in mind, etc. Everything is a flammable cornucopia of possibilities in which the lie may be born, harbor itself, and create many lives.

The system is infallible if the system is watertight.

To avoid the perils of capitalism and to separate oneself from another, we must avoid the furnace of greed and keep a hand on the hose, so to speak. A fire extinguisher in the hand is worth two on the wall, behind glass, shatter in case of emergency, etc.

***

Practice by Bill

You have to let them get close, to surround you, suffocate and sting your eyes, feel it on your skin, singeing, sound rising, growing, forcing you to listen, because you’ll never be able to hear the sound of your own voice until you can pick it out of the crowd. The winds rise up. The smoke follows. The pyre collapses.

It could be a pit, it could be a sunken tomb. It could be an open shelf of stone atop a hill where they take their sharp knives to open the body and dedicate its matter to the gods of sky and air.

Anyway, in the end, time appears insufficient and never there is enough, to make a dent, to get all the way through the stack. They will temper your heart because you will never burn as brightly for yourself as you will for them.

***

The Desert Won't Let Me Forget by Johanna

The fire was meant to destroy my memories. I thought my memories were contained in the photographs inside those cardboard boxes. It felt like they were. Every time I saw one of those photos, those moments returned clear as the present. Not that the present is so clear. It is clearly wrapped up in memories. Unreliable memories at best. She wore a red dress in the black and white photo. We were in a desert, Death Valley. We fought the whole time. That song kept playing on the radio. Da da da da, la la, da da da. When she fell to the ground, I reached for her.

Standing over the flaming pile, I imagined a hole in my head burning through the memories the way a photograph stains brown and disintegrates when you hold a lighter under it. But I was wrong all along. Overly optimistic. The memories did not char and disappear but grew brighter and brighter until I thought I might go blind.

***

angryOrange by Lyle

It’s spring. Which means there is a slight breeze. It stokes the fires. In our hearts and dotted throughout the meadows, light green with budding grass. And angryOrange. We are all angryOrange. It runs like JavaScript through our DNA.It tells us that we don’t need books anymore. It turns us green from the inside. It makes us crave thin mints and powdered sugar. We are only watchers now; tenuous, brave — aren’t we? No one thinks about the fire-stoking ending though. That last letter on that last page in that last book curling up in a calligraphy of smoke. And then only the cicadas to keep us company.

Our angryOrange flattened and dissipated amongst the other living things without words. New languages were bound to bind to even… WasWere-eeeeeeeeeeeeeeeeeeee.

***

The Pariah by Forrest

I took the book as far as I could with me, and let it go. It stayed there long after I was gone, I was told, along with the others left there by those who followed me, who would not be gone. The fires burned night after night for those who would not be gone, could I believe they stayed as long as they did. If I did not want my book, then no one would have theirs. No one, they insist. Night after night they took turns luring other books to the fire first followed by those who would have stayed after I was gone. Only the one who left told me this. Only the one who could not believe all the books were gone in the fires followed. Could I take only the one, I believe, then no one would follow me, and I let the one go who would not be gone. The fire burned night after night. No one would would have theirs. No one, I insist.

***

Mama Said by Nicole

Mama said on the day I was born Aunt Lucy was in the church basement making stock for the Sunday chicken dinner with Father Thomas. Mama was at home with Uncle Lenny who was burning trash in the grass lot behind our house. That was back in the days before the city took over our side of town and made the rule about paying to have trash picked up.

Mama says she was inside at the kitchen table and she stood up real fast to answer the doorbell when she felt like she peed on herself a little. But it wasn’t pee because it didn’t stop and mama called Uncle Lenny from the kitchen and he didn’t hear her. She says she called him so much her throat kinda went dry like when you stand next to a fire and breathe in the smoke too many times. So she lay down on the floor next to the rooster shaped mat that Aunt Lucy keeps in front of the kitchen sink. Mama would have me on the kitchen floor later – she said Uncle Lenny came in through the garage with an armful of old cardboard to throw in the fire when he saw her and called 911. And Uncle Lenny would hold mama’s knees open while he talked on the phone and they told him what to do.

But that’s not my favorite part of the story – this is. When mama looked out the sliding door she could see Uncle Lenny next to the fire pit throwing pieces of trash into the fire. She said he was burning old boxes from the kitchen. She said he moved around the fire and picked his feet up funny and sometimes waved his hands in the air. When he circled sometimes she could see him through the other side of the fire and he waved in and out like a ghost. She said she watched him and it almost looked like he was dancing.

But mama told me this story a long time ago. It’s my job to burn the trash now. The city says we can’t but Uncle Lenny and I do it anyway. Sometimes when I circle the fire I think about Uncle Lenny on the day I was born. I think about what we might look like to someone inside the house curled on the floor with her head rested on kitchen rug. I move behind the fire and cross paths with Uncle Lenny to make our bodies wave. I imagine that mama is watching me.

Saturday, February 1, 2014

Green Sands



Papakolea by Johanna

The woman stood just beyond the roving perimeter of sand and sea. She watched the waves lift bodies and place them back down. She heard the laughter of people diving under and smashing against the ocean's force. She took a step forward. The water overcame her feet, and as it pulled back, buried them. She imagined urchins, jelly fish, sharks, and Man-o' -War. She took a step back.

A young girl nearby twirled and skipped in the shallows. “Daddy,” she asked, “Why is the sand green?”

Her dad reached out to her as the water came up around her waist. When she stood firm, he let his arm hang back by his side. The woman listened. “From a volcano,” he answered. “The ocean picks up eroded olivine from this cinder cone and washes it on shore.”

“No, dad,” she said, “I mean the REAL reason.”

“Oh, you want the REAL reason.”

“Yes!”

“Okay,” the dad started slowly, “the green sand is actually mermaid glitter.”

“What's that?”

“Like fairy dust, only the mermaids use it to lure sailors under the water to their coral reef castles where they hold them prisoners forever.”

“How can they breathe down there?”

“The mermaid magic.”

“Oh, yeah.” The girl leaped out of the water and ran up the beach. She fell to her knees and began to dig a tunnel. The dad followed close behind.

The woman grabbed a handful of sand and examined the grains. She held them up to the horizon. She searched to see if anyone watched before she closed her eyes and sprinkled the mermaid glitter on her head.

***


A Walk by Forrest

Too late considering this bathing along the shore, not farthest away from her watching, older this time, so as not trying to pay attention in any faulty way, soon even wishing, patient, in the painless hope of someone else talking while walking, no one she knows, of course, who wouldn't belabor the opportunity, asking her sister her dainty name, hand extended friendly for her taking, no one noticing her not noticing, feeling much, much sunnier without her walking reminder, the little sister further away, much, much smaller, another set of prints in her sand.

***

Tides by Lyle

I had been buried in the sand for quite some time (such a subjective sentiment, time). Those monsters laughed and played in the tide while I baked. My toes began to curl in the sun. God — the sand! It was everywhere in my mouth. And worse! Given my proclivity to squirming, this immobility was — ironically, I suppose — paralyzing. Narrating my circumstances, I had hoped, if only to myself, would distance myself from this mockery of justice but it did nothing to alleviate the nausea. It was as if my whole body was being choked in a blood pressure cuff. An odd metaphor, to be sure, but even the blackness of the cuff is appropriate. I blinked as one of them ran by so that I would remember if they ever let me go. Beasts! Savages! I yelled. Thieves — again ironic (was this irony somehow a salve?) considering the crime I had been accused of. But the long, slow sigh of waves, their laughter (laughing!) and the gentle sea breeze carried my invectives off. Monsters, I sobbed. I could feel my will bending to theirs. This visceral, putative measure was working. Mortal wants carried me off.

[When you remember how you used to be, sometimes it makes you forget who you are.]

My breath became jagged and shallow. I confess I cried. I confess to everything. But it was too late. The tide had already begun to rise.

***

Samantha Who Listens to Music at the Beach by Alan

She liked to listen to Jose Gonzalez’s Veneer album at the beach and listen for how the waves, as they moved across the shore, would mingle with the nylon strings or, rather, the fingers strumming across the strings. Big haunting chords sprayed with sunlight. There is no such thing as a hiding place in this life, she would think as the music grew more intimate.

Someone would call to her, make a gesture toward the water. In these instances, she’d smile knowingly and, for the most part, simply let the energy of opportunity slide past her. Past last night’s prints in the sand, the undisturbed ones. What are the chances of that, she would think. To see the world in a grain of sand has absolutely nothing to do with eternity. Everything to do with intimacy.

And then at the point the water would reach her toes later in each afternoon and the crisp winged winds of evening’s promise would draft a few lines across her face, she would consider getting up, examine the urge as if sticking one’s hand into the body of a guitar or a summer or some other music-making thing.

***

Step Lightly by Bill

Looking down at the pigeon's carcass, thinking it had nearly gotten away when it smacked into the side of the train by a strong unexpected gust of wind to land painfully and fatefully with its back to one of the stray feral cats that lived along the barrier fences of the line, its wings untouched and splayed like an angel in glory on the concrete connected to a red and devoured ribcage where it had fallen once the little carnivore was done I decided I was tired – of winter, and the city and all of the phone calls about the case and needed to feel sunlight and the sound of waves.

***

Untitled by Julianna

We went to Myrtle Beach for vacation and my wife painted her toenails. Figures. When does she paint her toenails at home? Never. At home she wears the same green sweatshirt every goddamn day and she doesn’t cook. She used to cook. She used to paint her toenails. She used to walk around the apartment in panties. Cute ones. Ones with little bows and lace and whatnot. Now? Nothing. Now I have no idea what my wife’s underwear looks like, except when I see it in a heap on the bathroom floor, bundled up with her sweat socks. Sweat socks and underwear sitting there on the bathroom floor. They sit there for days sometimes. Sweat socks and underwear mocking me while I do my business.

I spent two weeks’ goddamn salary on Myrtle Beach. I coulda been home. It was the playoffs. And what does my wife do? Reads books in a lawnchair and takes pictures of her feet.

That’s me, by the way, out there in the water. No, not that guy. That one. No, to the left of that one. The one with the arm. No, not that one. That one. That one. That’s me. I think it is. Yeah, that’s me. I’m pretty sure. That one.

***

Sea Glass by Nicole

There are bits of sea glass lined up on his dresser. They are perched in a row over his Boy Scouts of America sash. His window lights up the row of shapes two or three at a time. Sometimes, I can see him walking the shore from my bedroom window. He comes out in the mornings before the beach is crowded and hot. He examines each piece with his hands, feels for smooth edges, and fingers the acceptable pieces into his pockets. I count the pieces as he picks them up and wait for them to show up in the row with the others. I like it best when he throws the sharpest ones back into the ocean. Someday it will be the two of us together reaching our hands up over our heads to toss the pieces into the waves. The water will keep the pieces until they are ready.

Tuesday, December 31, 2013

Hey look a golf cart



Untitled by Julianna Spallholz

That was August. Now it’s December. Christmas in three days and finally, praise Jesus, you not here to as usual ruin it. I’m so glad the bitch is gone.

Admittedly I am not a winter person. I prefer tank tops, prefer light. But when shit sucks anyway best not to keep company with those who make it suck worse. That’s what my grandma always used to say.

Our house is just above the activity, just out of sight, just over the hill. That’s our son in the foreground, about to enjoy his win in the Zucchini Festival costume contest. As you know, our son takes things very seriously. He beat out Abe Lincoln. He beat out last year’s Miss Zucchini. I took pictures because I am his mother, because I show up smiling for these sorts of things, because I am his mother, because I take pictures, because I am his mother.

After the contest was completed our son went for a victory lap in the golf cart, which was driven by darling Rosemarie who manages the general store. Our son held his blue ribbon in his fist and absorbed his village as it went by. In the evening, there were fireworks. All in all, it was a fine summer day in a quaint small town in New England, no thanks to you, no thanks to you.

Please give my best holiday regards to your brand new surprise live-in girlfriend who is eighteen years our junior. Just in case you were concerned, his presents are wrapped and ready, arranged thoughtfully beneath the tree. The lights are hung. The nativity is set. Cookies are in the fucking oven.

***

Playful by Forrest

The deadly art of my ninja clan, forged through years of televisional exposure to underground mutagenic protoplasm, is something I feign to describe to the uninitiated outsider. Every summer, across this lawless realm, hundreds of festival barbequées disguised as former lords reveal themselves all the same as brazen usurpers of their vassals' wives—thus, at request (and advance payment) of concerned parties, I intervene so that an ancient code of honor may be preserved. Often these transactions are better disposed of at a distance, the blowdart being my preference for lethality and the sudden, low note singing from my blowgun, a sound which returns me to my adolescent training. Many a can of Old Milwaukee have I strewn upon the trampled ground in this fashion. And yet, as the one-twelfth steed of this modest cart whisks me away, I consider whether child's play has been perverted into an art with no end, or vice versa. The courtyard of my dōjō fills not with an introspective air of regret, but the beratement of ancestors instead for my sentimental weakness carried against those cold autumn winds of change. Lonely are the nameless masters, it heeds. And abide I must! For there is always another layer to peel away from my famished body.

***

Something Meanwhile by Lyle

And before you know it, you're in the middle of something. The X, she tells you, says just here somewhere.

There is a wedding—Abe Lincoln, a chef—she checks off the rest of the list. Yup, all there.

Meanwhile: after studying the map, you're not so sure about anything.

And here's the mossy retaining wall, she points to the map and the wall—taptap.

Something, you say ponderously.

There is a small crevice in the retaining wall, you realize suddenly (and at the exact same time that you realize they are everywhere in the retaining wall—in fact, that is how retaining walls are built: at that exact moment you also think maybe that is part of the definition of a retaining wall; at least, you believe, suddenly, it is a solid connotation).

Well then, she says. Yes, you concede.

And then, from the wedding party: Hey look a golf cart.

Click.

***

This Holiday by Alan

This holiday. Like all holidays, I will consider the festive and rub up against the festivity. What I mean, of course, is that I will take no prisoners – roll out the golf cart, so to speak. We will paint the course, appropriately, green, and if the course is already green we will discuss another color, something 19th-century, perhaps. And the entire family will be there. I will make them…

Stop…quiet on the set. In all seriousness, this is not quite the way I envisioned it. We’re all over the place here. And you’re not making any sense. The little one is flexing too much and the smiles are too believable. Dress it up with artifice. Don’t you know you’re not supposed to be doing this? Don’t you know the date? The sun is out. The birds are chirping. There are thousands of parking lots of people making plans dishonestly in America and you have to pick the one that doesn’t have the wherewithal to get it together? And another thing…who put that golf cart in there?

What golf cart?

***

In the Light Thrown Down by Bill

Over time, building from one year as a notion then become a thought, growing the next year into a sense and after into a shared feeling about the party, a communal disconcertion and finally into a fear – a dread – whenever anyone showed up in an exceptionally outlandish fancy dress, such as the sheer dervish costumes Betty and Matilda wore last year.

The concern was felt as a flutter of unease as guests arrived in on and under outlandish transports. Korigar's entrance on a bull a few years back and then again the following year, reasoning that a repeat would be the most austentatious choice, had matched for a slight prickling of hairs on the back of necks Joseph's arrival in a convoy of four-wheeled ATVs.

The exotic – foods like the white cobra fritters, or drinks, like the rum specially distilled from a sugar-cane which only cultivates symbiotically with an especially aggressive species of fire-ant entomologists claimed were the most war-prone organism on the planet – haunted the guests throughout their revels.

The bizarre, the strange, the rare, the exuberant and humorously mundane, like the golf carts this year taking the guests from one part of the party to the next, all worked to build toward this apprehension which in some ways was the signature of the party, rising in nervous glances and anxiously held breaths as the festivities approached their crescendo – that the party would never come to an end and that they all, dressed in their funny attire, would be trapped there, forever celebrating.

***

I’ll tell you again how it happened … by Nicole

There was a white golf cart the day Bobby joined the army.

Mom’s face cracked like a soft eggshell against the counter.

Bobby’s top and bottom buttons were always mismatched.

Dad walked in circles, pulled his hair, and shut his eyes.

It would happen sooner or later.

Fear inside my chest like pounding on the concrete belly of a pool.

And next door a family celebrates.